21 May 2013

Paradoks

PARADOKS. Posisjoner innen norsk videokunst
15.2.-18.8.13
Museet for samtidskunst, Oslo
Norwegian video art retrospective

The museum of contemporary art in Oslo presents a wide range of video works of Norwegian artists from 1980 to 2010. The videos are shown in corridors, small and large rooms in the maze of the second floor of the museum. Here are some treats, some surprises, some old-style, some timeless videos. All in all by 24 artists, some with multiple works.

Elisabeth Mathisen
Elisabeth Mathisen

Ole Jørgen Ness: Opus Osiris
Ole Jørgen Ness: Opus Osiris

Narve Hovdenakk: Sorry, Unnskyld jeg beklager
Narve Hovdenakk: Sorry, Unnskyld jeg beklager

A.K. Dolven: THE doors
A.K. Dolven: THE doors

Per Maning
Per Maning

Don Brown: Yoko

Yoko
Don Brown
26.4.-26.5.13
Stolper+Friends Gallery, Oslo
Photos of female sculptures

The sculptor Don Brown has made portraits of his muse and wife for 15 years. In this exhibition the portraits are photos, seemingly black&white. From the photos we can not be sure if this is a real woman painted white or a white sculpture. The figures are beatiful but at the same time quite scary.

Don Brown: Yoko

As his sculptures usually are smaller than life-size it is easy to understand they are not a real painted woman. But on the photos all sense of size disappears. The photographed woman may be gigantic, life-sized, or miniature. You will never be sure if she is of flesh and blood or plaster.

Don Brown: Yoko

17 May 2013

Erling Valtyrson: Mezzotint

Mezzotint
Erling Valtyrson
11.4.-12.5.13
Kunstgalleriet, Stavanger
Mezzotint prints

Valtyrson presents a wide range of prints, with motives ranging from landscape through still-lives to the absurd. As I understand mezzotint is a very time-consuming and delicate process, the pictures are small, and each tiny dot marks a part of the process. Knowing this it is surprising and interesting which motives the artist choose. After all this is the motive he will be stuck with for quite some time. For us, the viewers, a still life composition may appear as just a collection of items. But knowing the artist must have contemplated exactly these items for a long time, it adds more depth to it.

Erling Valtyrson: Fra et kabinett

Erling Valtyrson: Vals - etter en jarlsberg

Erling Valtyrson: Form

Erling Valtyrson: Landskap

(Sorry about the reflections and weird angles on the photos, this was the best I could do.)

Maijazz-exhibition

Maijazz-exhibition
Åsmund Haukelisdsæter, Ingrid Haukelidsæter, Jannik Abel, Alf Solbakken
5.5.13-
Galleri Sult, Stavanger
Art based on music, part of the Maijazz program

All the invited artists were provided the music "Dancers" by jazz saxophonist Jan Garbarek. Inspired by this music, this is the outcome, presented in the temporary concert room at Sult Gallery during the May jazz festival in Stavanger. A crazy, but very interesting way of creating an exhibition, it would be inspiring to see works based on other music too some other time.

Jannik Abel: If I loved you I would tell you this + The mark + Dans my love + Actions speak louder than words
Jannik Abel: If I loved you I would tell you this + The mark + Dans my love + Actions speak louder than words

Åsmund Haukelidsæter: Dansere
Åsmund Haukelidsæter: Dansere

Alf Solbakken: Blå
Alf Solbakken: Blå

Alf Solbakken: Dans 1-5
Alf Solbakken: Dans 1-5

Ingrid Haukelidsæter: Puls
Ingrid Haukelidsæter: Puls

16 May 2013

Agnethe Lindløv: In My Solitude

In My Solitude
Agnethe Lindløv
8.4.-28.5.13
Tou Scene, Stavanger
Installations, drawings, video

In the first of two halls, strange clothes are hanging around, as in a giant walk-in wardrobe, or rather a room where somebody undressed in a hurry. Here is a full set of some kind of white foam-mesh clothing, hanging on the wall or tossed on a chair and on the floor. A robe of thick velvet is floating in the air. All create mystic shadows from the few light sources. And this is combined with drawings exploring the folds and shadows of various fabric.

This is all topped with the video in the next hall. What first seems like a pillar-shaped curtain, is a vertical hammock that slowly starts moving. There is a person inside, and as she moves the pillar is becoming a constantly changing sculpture.

The exhibition is combined with an exhibition of Anette Moi in another one of the beer halls. After the great fun of Moi's creations, Lindløv provides the magic.

Agnethe Lindløv: In My Solitude

Agnethe Lindløv: In My Solitude

Agnethe Lindløv: In My Solitude

Agnethe Lindløv: In My Solitude

Agnethe Lindløv: In My Solitude

Agnethe Lindløv: In My Solitude

14 May 2013

Anette Moi: The Good Life

The Good Life
Anette Moi
8.4.-28.5.13
Tou Scene, Stavanger
Colourful digital drawings of weird people and creatures

Once again Anette Moi presents her psychedelic world of fantastic creatures and people of colourful digital drawings. Each drawing radiates fun, creativity and humour. 

Exhibition view
Exhibition view

Anette Moi: The Good Life
Hehe

Anette Moi: Marius
Marius

Anette Moi: Hockeypulver
Hockeypulver

As bonus for visitors to the beer halls at Tou Scene, also Agnethe Lindløv presents her works in her exhibition "In My Solitude".

13 May 2013

Sverre Wyller: Miramichi

Miramichi
Sverre Wyller
26.4.-21.5.13
Galleri Opdahl, Stavanger
Metal construction parts modified into sculptures

Exhibition view


What some consider to be garbage, others consider to be art. Design is inherent in industrial processes and industrial buldings, for some aestethic forms are important, for others the functionality is the major goal. Any way there are no coincidences to how building material or industrial products look. But we seldom consider a metal pipe or an iron junction to be art. When the product is scrapped or the building demolished, all that is left is garbage, or at best material for recycling.

Sverre Wyller: Miramichi

Sverre Wyller has the ability to see both the inherent and the potential beauty of scrap metal. Using leftovers from an abandoned industry building he creates wonderful sculptures. The metal parts are cut, bended, squeezed, or just left as they are, with paint flaking off or repainted. The results are beautiful sculptures with their history from their former life combined with the future of new appearance and new settings. 

Sverre Wyller: Miramichi

The sculptures makes me wonder what the original looked like, it puzzles me trying to figure out how it was changed during the demolition processes and during the artist processes, and makes me happy to view the result of the rebirth. I will be looking differently at garbage containers and abandoned industrial buildings after this.

Sverre Wyller: Miramichi

Martin Whatson: Undercover

Undercover
Martin Whatson
11.5.-8.6.13

Reed Projects Gallery, Stavanger
Stencil street art on canvas

Martin Whatson: Public piece
Public piece

Stencils of street art have been around for some decades, it is not the rebel teen anymore, but an adult entering its identity crisis. These days anyone (or any commercial company or political movement) may spray a crude A4-size stencil onto a more or less visible wall. It takes more than just the technique to stand out from the crowd. The handful of stencil artists that manage to remain interesting, creative and surprising are either focusing on an extreme level of technique or the motive. In my opinion the best street art communicates with its surroundings. But the skilled artists also manage to deliver a message from works presented in a neutral gallery setting.

Martin Whatson: En Pointe + +
En Pointe + ? + ?

Martin Whatson is returning to the roots, the graffiti. The topic of his works is glorification of the graffiti, or the sense of loss when it disappears. In his works the wild mess of colorful graffiti is mended into new forms and settings. Graffiti becomes a soft pillow, angel wings, a heart, fashion clothing, or framed as a valuable art piece.

Martin Whatson: Hardcore Angel + Cushion + Make Love
Hardcore Angel + Cushion + Make Love

Whatson is balancing on a thin line by this topic, risking that his art might become a parody on itself. Art that focuses on itself may easily become introvert. But instead he manages through the art to present the artform graffiti in a new light.

It all depends on the graffiti part. The stencil part is stable, which you may especially notice by the same figure used in both “Hardcore Angel” and “Cushion”, but the graffiti is what makes it different.  The placement and form of it is crucial, but also the spontaneity is deciding whether this is a unique piece or a reproduction parody. The moment we sense that the graffiti is not spontaneous, or even made by stencil, the value is gone. It is the roughness that makes it all happen. I dream of artwork like this incorporating “real” graffiti from the street, but that would probably create a lot of enemies.

Martin Whatson: Photographer
Photographer

09 May 2013

Tjuvholmen sculpture park

Tjuvholmen sculpture park
Oslo
May 2013
Public sculpture park in the new cultural part of Oslo

An increasing amount of expensive buildings pop up at the top class new part of Oslo, on a former container harbour island called Tjuvholmen (=the island of thieves). The area is stuffed with not only apartments and restaurants, but also a wide selection of art galleries, with the new Astrup Fearnley art museum as the major draw. Even if the galleries are closed, or if the sun shines and you prefer to stay outside, you may get grand art experiences. Art by internationally famous artist are to be found in the public, especially in a part just outside the AF-museum.

Work by Fredrik Raddum
Work by Fredrik Raddum

In the sub-sea parking space entrance is this sculpture by Norwegian artist Fredrik Raddum. I have always loved his works of questioning the relationships between man and nature. But I have never seen his work in a better placing than this. Beware you car drivers, this is a pedestrian area!

Work by unknown
Work by unknown

This crossover reindeer/motorcycle sculpture standing in a corridor is impressive, but the author and title information was nowhere to be found.

Ugo Rondinone:Moonrise. East. November
Ugo Rondinone:Moonrise. East. November

A great eyecatcher by the entrance of the Astrup Fearnley museum, and great fun for the kids to put their hands into the mouth. This is one of the few sculptures you are actually allowed to touch in this area. You can stroke along each fingerstroke the artist has done to shape it.

Louise Bourgeois: Eyes
Louise Bourgeois: Eyes

Two large stone balls called eyes, but might also look like some other body parts. Also a thrill for the kids to climb on, which is fortunately allowed. They are so popular though, it is a challenge photographing them without people on them. But at nighttime the eyes are there all alone, looking out to the sea and the art museum. You need to be there not to late, as the park closes at 23.

Ellsworth Kelly: Untitled (totem)
Ellsworth Kelly: Untitled (totem)

Including a view of the park and the art museum, this is one of the sculptures that just is placed on the lawn. An artpiece of a famous artist, but it could have been placed anywhere, also inside a building. You are not allowed to go close, and I am not sure if you are allowed to walk on the grass at all. 

Anish Kapoor: Untitled
Anish Kapoor: Untitled

A wonderful marble sculpture that seems like a portal or a nest, but you will never know as it is conserved in a glass box, and you cannot go too close. The reflection in the glass projects sea views onto the sculpture.

Peter Fischli & David Weiss: Things for a house on an island
Peter Fischli & David Weiss: Things for a house on an island

Ledged on the corner of the park, partly over water, is a bunker or a temporary shack in concrete. You may peek through the window in the door to find various items. There seems to be some kind of workers staying there, but what they build or work on is up to your imagination to guess. The building is intentionally placed on the corner of the pier, not allowing us to pass on one side. But all curious people would walk around to the other side, and this is done by awkwardly walking over a constructed hill. 

Peter Fischli & David Weiss: Things for a house on an island
Peter Fischli & David Weiss: Things for a house on an island

Franz West: Spalt
Franz West: Spalt

The public area at Tjuvholmen even has its own beach, with a sculpture on it. A very intuitive object to sit on, climb on or hang your clothes on. But according to earlier pictures, one part is removed, and one is fenced in. These sculptures obviously were not meant to be touched, and should thus be placed somewhere else than on a public beach. 

*

All in all the public areas at Tjuvholmen are a limited but very inspiring with a breathtaking list of artists displayed by their works. In this way a broad specter of inhabitants and visitors that never set their feet in an art venue might have great art experiences. But you cannot expect people to act like in a gallery when they are in a park. Sculptures in the public must stand being climbed on, being spilled icecream on, and sat on by seagulls. Some of the works are communicating very well to the public and their environment, others are not. Anyhow, the sculpture park is well worth a visit, and the area might well become the most famous in Oslo, compared to the Opera and Vigelandsparken.

28 April 2013

Solveig Landa: I AM I AM I AM

I AM I AM I AM
Solveig Landa
25.4.-15.5.13
Trykk17, Stavanger
Prints and sculptures

This is an exhibition that screams for attention in its title, with capitals and repetition on the simple, but important fact that "I am". I am entering a world of wonders and zeppeliners, like in the technical drawings of Leonardo da Vinci, but also the ultraoptimistic science fiction of the sixties. Globes and zeppeliners dance with humans in these colorful prints, and there are miniature models as well. And a flow of bits of branches turning the floor into some imaginary wet or icy patch. The exhibition deserves the attention it craves. I get this urge to fly away somewhere, but at the same time, this is a good place to stay.

Solveig Landa: Våpen av rust og vind + From the Back of My Eyes
Våpen av rust og vind + From the Back of My Eyes

Solveig Landa: Weary River
Weary River

Solveig Landa: I AM I AM I AM/ I stille vind + Luftgåte + Inn og ut av meg sjølv
I AM I AM I AM/ I stille vind + Luftgåte + Inn og ut av meg sjølv

Solveig Landa: Hurt Core + I will leave now
Hurt Core + I will leave now